Services · Website development · Ticket booking websites
Codeeo handles ticket booking website development Manchester promoters, club nights, music venues and festivals use as their public home: a listings site that updates itself from your ticketing, artist and event pages that rank when fans search, clear entry and age policies, and travel advice for crowds arriving by tram and train. Manchester audiences decide quickly and share links even faster, so the website has to be accurate the moment an announcement goes out and stay up when everyone clicks at once.
Your ticketing platform keeps handling payment and entry. The website is what you own outright: the brand, the listings, the search presence and the audience you build between on-sales, rather than leaving all of that to a third party marketplace.
200+ companies servedFrom a first store to an ADX listed developer
What a Manchester listings site should do
Manchester's live music and nightlife scene runs on many promoters putting many nights into a mix of rooms, from small Northern Quarter basements to arenas holding tens of thousands. A promoter's website is usually a listings machine; a venue's site has to carry several promoters' events under its own brand. Either way, the content changes daily and has to stay correct without someone retyping it.
The audience is young, mobile and heavily student, with a large share of people coming in from across the North West on match days and gig nights. They want the lineup, the full price, the age policy and the last tram information, and they want it quickly. The capabilities below are the ones we put first for Manchester operators.
Events, lineups, on-sale times and availability flow from your ticketing platform's API into the site, so a new night appears as soon as it is created and a sold-out show updates itself. Staff add artwork, descriptions and support acts on top.
No more copying events from one system to another.
Every headliner gets a page with schema.org Event markup for each date, an official listing statement and links to the authorised sales route. Fans searching for an artist plus Manchester find your page, not a resale listing at an inflated price.
Your official listings show up for the searches that sell tickets.
Listing cards and event pages show the total including booking fees and VAT, as the Digital Markets, Competition and Consumers Act 2024 drip pricing rules require. If you use tiered release pricing, the page shows the current tier honestly and says when it changes.
Fans see the price they will pay before they click through.
Over 18 and over 14 events, accepted ID types, re-entry rules, bag policy and prohibited items, edited by your operations team and shown on every relevant event page. Conditions from your premises licence are presented as plain rules rather than legal text.
Fewer arguments at the door and fewer refund requests.
Venue pages carry the nearest tram stop and station, walking routes, taxi pick-up points and advice on getting home after a late finish. Your staff update them when engineering works or road closures affect an event night.
Crowds arrive and leave in a calmer, more predictable way.
Each room gets a guide with capacity, layout, bar and cloakroom details, photographs and the stage specification promoters and agents ask for. A hire enquiry form collects the date, event type and expected numbers, then routes it to your bookings team, so the building earns on nights without a public event.
Agents and hirers get answers without a string of emails.
Viewing platforms, step-free entry, quiet spaces, personal assistant ticket schemes and how to request them, built to WCAG 2.2 AA and supported by a request form that reaches your access lead, as the Equality Act 2010 expects of service providers.
Disabled fans can plan a gig night without phoning around.
Presale registration pages that record consent under UK GDPR, with a cookie banner that holds advertising pixels back until visitors agree, as PECR requires. Sign-ups pass to your email platform with the artist or event that brought each fan in.
A fan list you own and can use lawfully.
A big announcement shared across social media can send a wave of visitors within seconds. Pages are statically rendered and cached at the edge, and the link to your ticketing queue is tested at volume before the post goes out.
The site stays up at the exact moment it matters most.
With two large universities in the city, many events carry student pricing or societies booking in groups. Pages explain eligibility and proof needed at the door, and a group enquiry form handles society socials, staff parties and stag or hen bookings that need a conversation first.
Group organisers know what to do before they book.
Who this is for
Ticket booking website design Manchester fans respond to is quick, bold and easy to scan on a phone, but the brief behind it varies a lot. The four situations below are the ones we see most often in the city. Our team works with Manchester clients remotely, so discovery, design reviews and testing happen by video call, with your team supplying artwork, venue photographs and operational details.
You put on nights at venues across the city centre and Salford rather than owning a building. The site lists everything by date, artist and venue, links to each night's ticketing, and gives you a brand that is bigger than any one room. Venue guides explain each space so fans know what to expect. Past events stay in an archive by artist, which builds a record of who you have booked that agents and new artists look at before working with you.
Your brand travels with you from room to room.
Your calendar fills with events from several promoters, each with their own artwork and copy. We give promoters limited access to submit their events, keep pricing and policies under your control, and make your venue's door rules, capacity and travel information appear on every listing automatically. Event pages also pull in set times on the day, so fans checking from the tram know when the headliner is on.
A one or two day event in a park or a warehouse needs a site that starts as an announcement page, grows into a full guide with lineup and stage times, and ends with a recap and early registration for next year. We plan the content stages with you at the start so each phase is ready in time. After the event, photo galleries and a recap page keep the site useful and give fans a reason to sign up for next year's early registration. Day splits, stage times released in stages, maps, camping or travel advice and a growing FAQ all sit inside your main CMS rather than a separate site.
Most of the site's work happens in the last fortnight before the gates open.
Theatre, comedy, spoken word and family shows draw different audiences who browse differently. A custom ticket booking website development Manchester arts venues commission usually needs strand pages, filters by audience type, concessions information and an education or community section alongside the main listings. A season view grouping the programme by month and strand helps regular attenders plan, while newcomers browse by what they enjoy.
How we work together
Promoters and venues usually start with a fixed scope build, then move to a retainer that covers festival microsites, new features and design updates through the year. Groups running several venues sometimes keep dedicated developers with us. Cost depends on the number of ticketing sources, how many promoters publish to the site, whether you need festival microsites and how much old content has to move. When comparing a ticket booking web development company Manchester operators can rely on, ask who owns the site afterwards; with us, everything sits in your accounts.
A defined build with a deadline
We agree what the product has to do, write it down with a price and a date, and build exactly that. Changes are priced before they are made, not discovered on the invoice.
A product that keeps evolving
Named engineers who work your hours, join your standups and stay on the codebase. You direct the backlog; we own the quality of what ships.
Something live that needs looking after
A monthly block of hours for improvements, fixes and the small requests that otherwise wait months. Unused hours carry for a quarter.
Technology
Listings sites suit a headless CMS with a Next.js or React front end that renders fast and caches well when an announcement lands. WordPress works for smaller promoters with simpler needs. We choose with your ticketing API and your team's skills in mind.
01Web
02Commerce
03Data and cloud
04Marketing and tracking
It depends mostly on the ticketing feeds and the number of content types.
A promoter with one ticketing platform and a simple listings site is a contained project. A venue with several promoters, a festival microsite and years of past events to migrate takes longer. We agree a schedule in discovery with dates for design, staging and launch, and we plan the launch around your announcement calendar so it never lands on a major on-sale day. Content entry by your team runs alongside the final stage of the build.
Schedule a free consultation and get a written recommendation, with costs, before you commit to anything.
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